OLIWIA RADOMSKA
AITHŌ
| Composer

H O M E

FILM
THEATRE
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REVIEWS

EVENT TRAILERS

︎CALENDAR

︎ L I S T E N

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SHORT:

Oliwia Radomska / Aithō is a composer and producer specializing in film and experimental music. She graduated from the Royal Welsh College and Guildhall School, her works encompass films, theater, and installations. She finds her music and identity in striking environments, such as the Barbican Concert Hall and techno festivals in the Digbeth tunnels. She creates techno under the alias Aithō, drawing inspiration from the volcanic ashes of Etna and the blue flames of Kawah Ijen. Her works blend classical and electronic music, exploring spirituality, destruction, and the fragility of life.

In 2023 and 2024, Oliwia delved into immersive art, creating successful installations, raves, and immersive theatre performances on themes like Salome, Kupala Night, and others.

︎ radomska_oliwia@hotmail.com

︎ @oliwia_radomska

︎ @aitho_rave

︎ C A L E N D A R - S A V E T H E D A T E

Oliwia Radomska (College) · Theme

︎IN ASH WE TRUST

Salome Afterlife Installation Footage

Pole movie
Password: pole222

The Flea movie

Albums

SALOME

B I O :

Oliwia Radomska is a composer and producer based in London, educated in Poland and the UK. She focuses on film, theater, and experimental music. She obtained a Bachelor's degree with honors in Classical Music Composition and Creative Technology from the Royal Welsh College of Music & Drama and a Master's degree in Electronic Music Composition from the Guildhall School of Music & Drama. Her works include numerous short films, trailers, commercial pieces, and theater productions, as well as contemporary experimental works. Notable film projects include her long- term collaboration with Tomasz Grzymała, including the film Pole, which won the first prize at the Mediawave Festival and received seven nominations at other festivals.

Since 2022 she produces and performer techno under the alias Aithō - her music and identity are inspired by the volcanic ashes of Etna and the ethereal blue flames of Kawah Ijen. It resonates with deep sensitivity, power, and freedom of spirit. Her music guides the audience through a soundscape that is intense and liberating, between light and darkness. The forces of rebellion, faith, sensitivity, thunder, divine, celestial presence, and the rawness of life merge into one energy.

After years of training in piano performance and music theory at the Fryderyk Chopin State School of Music in Warsaw and other institutions, where she studied under Prof. Marta Jarczewska and Szabolcs Esztényi, she completed her undergraduate studies with an audiovisual work titled MAGELLAN C.L.O.U.D., inspired by The Magellanic Cloud by Stanisław Lem (1955). During this time, she also presented her contemporary compositions at the SHE Lives masterclasses in spectral composition in Budapest, Hungary, led by Sidney Corbett and Alessio Elia at the Telekom Music House. Thanks to her extensive, diverse education and experiences, Oliwia is active in both classical and electronic music, often blending these elements in her works.

Significant theater productions include Anna Karenina, directed by Daniel Raggett at the Bute Theatre in Cardiff, and Arcadia for Hannah Noone at the Richard Burton Theatre. Following the positive reception of MAGELLAN C.L.O.U.D., her audiovisual work Orfeo was commissioned by the Eastern Incantations festival at Centrala Gallery in Birmingham, where she performed alongside a collective of lecturers and graduates from the Birmingham Conservatoire. She also toured Europe with her new audiovisual set I was too busy keeping my head under the water, performing at Peckham Audio in London, Milton Court Concert Hall, and other European locations such as Hydrozagadka in Warsaw.

Recently, she composed music for an event dedicated to Japanese animation for the Barbican Centre in London, featuring a live sextet (wind and percussion), electronics, and Benshi narration. She also created an electronic interpretation of St. Matthew Passion by J.S. Bach at the Omnibus Theatre for Collective 31 and the installation I confused your voice with one of my own in collaboration with artists and designers from the University of the Arts London at St Gille’s Church. In the fall of 2022, she created industrial music for the Worcestershire Projections, celebrating the porcelain and metal factory, and composed music for the Ring of Fire installation for Derry Halloween in Ireland. Her works regularly visit notable art centres such as Science Gallery, National Gallery, Woman’s Museum in London as well as National Museum Cardiff.

In 2023 and 2024, Oliwia focused on immersive art, creating successful installations, raves, and immersive theater performances on themes such as Salome Midsummer Night Rave, and others. Oliwia collaborated with UKF, Raiser, Barbican, and Guildhall School on the latest project OrchestRAVE - an immersive fusion of Drum & Bass and Dubstep classics, live singers, DJ and a 40- piece orchestra - at the Barbican Concert Hall in July 2024, as one of the composers and conductors.

(PL Bio)

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OLIWIA RADOMSKA | Composer

BLOOD AND TEARS, LET ME DANCE

I WAS TOO BUSY KEEPING MY HEAD UNDER THE WATER