AITHŌ
IN ASH WE TRUST
Aithō - in greek, “to burn”. Signature blends, immersing the listener like volcanic pyroclastic flow - between a profound soul-cleansing experience and sonic assault. Arising from the transformative, hazy volcanic ashes of Etna and ethereal blue flames of Kawah Ijen. Forces of deep sensitivity, power, and freedom of spirit. Her music guides the audience through a soundscape that is intense and liberating, between light and darkness. The forces of rebellion, faith, sensitivity, thunder, divine, celestial presence, and the rawness of life merge into one energy. She lives between ethereal, profound concert halls and her beloved Underground.
A messenger between worlds, blessing the audience with mesmerising, epic orchestral scapes, hazy wormholes of ambient and most brutal techno in existence. She’s a regular headliner at various raves, festivals, secret locations. Most active in Birmingham, London and Warsaw.
Aithō (Oliwia Radomska) is an awarded composer, producer and DJ equally active in electronic and notated music scene, expert at combining these forces live and in soundtracks. Following life-long classical music education across Europe she became a fellow of the world-renowned Guildhall School of Music & Drama in London, after a successful Masters there. She's a specialist in music for film, theatre, art installations - all traditional and modern. Aithō is a beloved composer for sport, scoring for martial arts and winter sports, which she engages in as an athlete as well. She is a composer for Manto Original and founder of recent pioneer Copa Rave jiu-jitsu sparing rave at Copacabana Team, where she’s training as a martial artist.
Trained through life-long classical education across Europe, she earned her Masters in Composition and Electronics at the Guildhall School, where she became a fellow. Devoted to immersive art, producing suites like orchestral-electronic & live shows Salome - Afterlife, winner of entire Undisciplined grant. Aithō creates uncompromising immersive raves, installations and concert pieces. She is loved for blending symphonic sounds with electronic intensity, her work travels between cinematic, concert hall and club contexts, reflecting depth of historical legacy and devotion to relentless, spiritual darkness. As an award-winning film composer and specialist in scoring film & theatre, she works fluidly between classical, contemporary, and electronic forces.
She took the club underworld by the storm with her violent, emotional DJ and hybrid sets - relentless bochka, industrial, schranz and hard techno - often blended with original scores. She’s a profound live electronics artist, in love with noise and all ethereal.
She is recognised for her symphonic orchestral arrangements for UKF Orchestrave at Barbican Concert Hall, techno sets at Arch Fest in Birmingham, audiovisual shows at Milton Court Concert Hall and live instrument arrangements at National Gallery, Barbican Cinema, Science Gallery in London among others. A beloved conductor of GSO during her fellowship.
In recent years she completed dozens of film and theatre scores, trailers, big orchestral projects and multimedia collaborations. After a remarkable BMus at RWCMD, filled with deep studies of notated contemporary music, modular synthesis and TV- she moved to the world-renowned Guildhall School. While pursuing film and immersive art, she started seminars for students at Guildhall, featuring production secrets, event production, exploring sound systems around London, techno history, 1:1 sessions and a sold-out summer solstice themed Midsummer Night Rave as a culmination among others - with sets from participants.
Listen & See
Photo by @daniel.photoshot @radzi.iwonka @t.grzymala @ andreas splendit
Photo by @daniel.photoshot @radzi.iwonka @t.grzymala @ andreas splendit